In 2009, for a Masters degree recital, I played the song cycle released in 1992, The Juliet Letters. I needed a new sound and a new way of playing, singing and performing music. In the string quartet I found a new home. The ensembles I wrote for quickly got bigger, but the small chamber ensemble was my weapon for several years to come.
When we next played it for the inaugural MOFO festival. The queue around the block had more people in it than were already seated in the theatre
Then in 2015, with my good friend Daniel Lopez at the helm on 1st Violin, I played The Juliet Letters again in QLD. I couldn’t have been happier playing this outstanding song cycle written by Elvis Costello and the Brodsky Quartet.
I have performed it a few times since; Festival of Voices in Hobart 2016, then again this week at Government House, Hobart. It is a work that I believe I will revisit many more times in my life for the simple reason that it is magnificent. Its writing, its intellect, its passion, its honesty, its complexity and above all, its pure ensemble chemistry. I hope you get to hear it one day.